MYSTERY

Unfinishable for humans.

PROLOGUE: Professor Dr. Anton Bruckner (1824 to 1896) was widely known as "the" beloved church musician, gifted organist and symphonist, and with his Ninth Symphony, to which he made changes even on the day of his death and whose score of the enigmatic last movement disappeared under mysterious circumstances and was probably scattered all over the world, he left us a final monumental musical masterpiece that has lost none of its mysterious effect to this day.

BRUCKNER'S NINTH Bruckner has divided the music world into two opposing groups. Sworn Bruckner devotees believe they see in this devout 19th-century musician the church-approved genius "musician of God," while the other, more academically inclined group simply misjudges him as a provincial, average musician due to his eccentricities.

Honestly, objectively speaking, it is impossible for such brilliant musicians as Mozart, Bach, Beethoven, or Bruckner to develop to such extraordinary and absolute musical maturity in the course of a single short lifetime – not even the most exceptionally gifted.

Humanity repeatedly produces such extraordinary talents, whose actions and achievements we can only admire with envy—but for which, rationally speaking, a short human lifespan is insufficient. These exceptional, ingenious manifestations of the human mind are, strictly speaking from a scientific perspective, the logical metamorphic culmination of millennia of human developmental processes, as we can also observe in the myriad material evolutions, in the ever-renewing wonders of nature around us, only in a purely intellectual and creative form. Seen in this light, the entire knowledge of humanity (of the universe?) slumbers within us all, as it were (like a divine spark?), but only a select few, with certain genes and abilities, can truly understand this inherent wisdom and convey it to us mere mortals in words, images, or sounds.

BRUCKNER'S NINTH It's such an incomprehensible mystery. You certainly don't have to be a conspiracy theorist or believe in alien visits, but as William Shakespeare so beautifully put it: "There are things in heaven and earth, Horatio, of which your philosophy cannot dream!" Through the Church, Bruckner had access to such secret knowledge throughout his life and recorded it in cryptic notes for future generations, as he repeatedly emphasized—that is, for us as... NINTH SYMPHONY low.

However, after being declared insane and threatened with institutionalization (!), he hid these notes in a secret compartment of his furniture and confided them to only a very few trusted individuals. After years of research in the archives of monasteries, abbeys, and churches around the city of Linz on the Danube, I managed to see them and secretly photograph them. Deciphering them required a very specific decryption program from the internet.

After many decades of meticulous work, especially in Bruckner's birthplace Ansfelden and his place of work St. Florian, I feel called to fulfill Bruckner's heartfelt wish and to transform his mysterious symphonic music into a comprehensive audiovisual work of art that is comprehensible to all.BRUCKNER'S NINTH sinfonìa visìbile in re minore rigeneratione bruckner" to counterfeited.

Counter-invoice

This Anton Bruckner, probably the most misunderstood musical genius of his time, left us, as I said, with his Ninth Symphony, such a profound musical quintessence of a monumental Western Summa Música that it not only overwhelmed the normal understanding of his contemporaries, but also our present-day musical world. Perhaps based on this far-sighted realization, Bruckner concluded with frustration that he had probably only written this work for later generations.

Therefore, after intensively listening to Joseph Hayden's Creation, the oratorio that strictly follows the biblical guidelines (Hob. XXI:2) created between 1796 and 1798, I maintain that Bruckner's musical legacy of his creation story goes far beyond this and others.

Thematically, Bruckner intoned his NINTH SYMPHONY As an indoctrinated, deeply religious churchgoer, he not only embraced the obligatory spiritual creationist Genesis and Apocalypse, but also diametrically opposed secular metaphors for the origin of the universe, Darwinian evolution, and physical death and rebirth on Earth for all eternity. Strong stuff for his time!

The sources, therefore, are certainly not, as with Haydn's Creation, solely the Book of Moses and the Psalms, but rather from parapsychoanalytic associations that were quite controversial at the time, also influenced by Far Eastern religions. According to confidential information from friendly conductors, Bruckner had obtained these traditions, officially branded heretical by the Church, from secret music archives of abbeys, monasteries, and churches around his birthplace of Ansfelden, Upper Austria, which were accessible to him...

So it is no wonder that know-it-all contemporaries, motivated by the Church in a neo-inquisitorial manner, wanted to put the brilliant composer Bruckner in an insane asylum for his supposedly demonic soundscapes - especially since the last burning of heretics and witches for such dissenters took place in 1807 in the small town of Ermland in Poland.

The elderly composer, unjustly suspected of madness during his lifetime, therefore placed all his hope in the understanding of later generations. In addition to the score, he wrote a secret interpretation of his Ninth Symphony and concealed this extraordinary notation, along with the mysterious Codex Musicusus Hesperia, in a centuries-old black songbook with very close friends.

As mentioned, I painstakingly crafted this secret and hitherto unpublished addendum to Bruckner's Ninth Symphony into a... sinfonìa visìbile in re minore rigeneratione bruckner, einer A fusion of orchestral concert, drama, and film, meticulously reworked. Entirely in keeping with Bruckner's legacy, I haven't conceived it as pagan, Germanic, and pathos-laden, nor as devoted to the dark Germanic cult of gods, as the operas of his contemporary Richard Wagner, whom he so admired – but it is at least as beautiful and dramatic.

The present concept BRUCKNER'S NINTH sinfonìa visìbile in re minore regeneratione Bruckner It is also not as overtly obvious as a conventional song theatre, a play, an opera/operetta, a musical, or a film. According to his secret notes, the symphonist Bruckner wanted to... NINTH SSYMPHONY Using exclusively lavish yet thoughtful soundscapes of creation, we will bear vivid witness to the Christian faith and thereby open our hearts to God Almighty.

The final of all finals

For the particell of the final sentence of his NINTH Bruckner used all his knowledge, skills, and remaining time to create a symphonic finale to the creation story that was feasible by human hands.

The perpetual natural evolution since the creation of the earth alone serves as a synonymous model for the final movement of Bruckner's Ninth Symphony, the Creation Symphony, which cannot be completed by human hands.

Professor Dr. Anton Bruckner deliberately left the 4th movement of the Ninth Symphony officially only in fragments and vague hints, so as not to let this monumental work become a sacrilege for religious fanatics, but rather to leave it "deliberately unfinished," just like the unforeseeable end of our existence for us human beings.