2015 . Reloadet
Marthé's advance release of the classical film music
Bruckner dedicated his Ninth Symphony "to the dear Lord." However, he did not want to complete the last movement. He left behind a largely completed fragment – and for "later generations," precise indications of its true interpretation.
If If one wishes to hear a conventional, official completion of Bruckner's Ninth Symphony, then the collaborative work of composer Nicola Samale and Giuseppe Mazzucca, conductor and musicologist Benjamin Gunnar Cohrs, and musicologist John A. Phillips is highly recommended. They have worked the fragments from Bruckner's estate into a traditional, musically acceptable performance version.
“For far too long, Bruckner’s symphonies have been a bone of contention for an elitist guild of musicologists,” laments Peter Jan Marthé, the true Bruckner conductor. He deliberately divides the self-proclaimed Bruckner custodians in the musical world and captivates entirely new audiences. This is something few contemporary conductors and composers can claim—nor can the claim that Bruckner himself supposedly asked him to complete the Ninth Symphony. For the Austrian Bruckner conductor, the magical rituals and battlefields in all of Anton Bruckner’s symphonies, where demons and saints mingle, are ultimately initiatory rites that open the gate to a higher form of existence.
The perfect conditions for an exciting plot...
Peter Jan Marthé dedicated his orchestral reloaded interpretation of BRUCKNER NINTH for my sinfonìa visìbile in re minore rigeneratione bruckner to me by gentlemen agreement during our last meeting in Innsbruck. Most sincere thanks, Maestro!
