2020 . Mastering
Symphonic film music
The purpose of BRUCKNERS NEUNTER's audio-film sound mastering is to "balance" the sonic elements of a stereo mix and to optimize playback for all major systems and media formats.
My son Lukas Amadeus Schopf, a high school music teacher, composer and choir conductor, has set up a high-quality digital recording studio in our house and together we have been working for years on the contemporary "Brucknerian sinfonia visibile sound design".
Regardless of which program (Steinberg Nuendo / Avid Pro man) we use for film sound design, extensive experimentation has shown that it's best to create a default project for film sound, in which you create corresponding groups for the most important sound types (at least original sound, dubbing, effect sounds, music) and immediately assign significant (sinfonia-)effects are also incorporated. We've gotten into the habit of assigning different colors to the tracks of the individual groups. This makes it easy for us to keep track of everything in this complex project. Meaningful naming of the tracks is another step in the right direction. It all sounds very logical – but for the sake of clarity, here in the MAKING OF...
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